Actually... with PlayBuf nothing. I was worried
it would push the mul add slots, but I forgot
that PlayBuf doesn't have mul and add.
I literally spent days a few weeks ago tracking
down a bug in some old code where this had
happened (between SC2 and SC3, I believe it was
Saw that lost its phase argument, or something
similar to that). I was trying to avoid a
similar problem, not realizing that it wasn't
one!
I was also thinking though (and still do), that
it could avoid confusion. Whenever one
parameter's actions depend on the state of
another (if loop, don't do doneAction), I
question whether or not the argument can be
rolled into a single one. That's just me
though. I'm fine either way since the situation
mentioned above won't happen.
Best,
Josh
On Dec 8, 2008, at 8:39 AM, Scott Wilson wrote:
Confused: What's wrong with just an extra arg?
S.
On 8 Dec 2008, at 16:32, Josh Parmenter wrote:
But it is just one inconsistency. It seems
like a logical place for this argument
though...
Or, change loop to -1? This breaks code, but
it shouldn't be a terribly difficult change
for most users to do as they upgrade to 3.3.
Or, -1 pauses the synth. Still inconsistent,
but not terrible.
Josh
On Dec 8, 2008, at 6:56 AM, Scott Wilson wrote:
Not consistent then, as no action 1.
S.
On 8 Dec 2008, at 14:49, Josh Parmenter wrote:
Why not make loop, the doneAction? 1 loops,
0 does nothing, 2 releases, 3 etc...
Josh
On Dec 8, 2008, at 6:43 AM, Andrea Valle wrote:
I also find this frustrating and often
use the
Line.kr(1,1,dur,doneAction:whatever)
kludge.
usr point of view, even if I haven't
noticed the thread on sc-usr. Me too. So
boring. Would be pretty cool.
Best
-a-
--------------------------------------------------
Andrea Valle
--------------------------------------------------
CIRMA - DAMS
Università degli Studi di Torino
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******************************************
/* Joshua D. Parmenter
<http://www.realizedsound.net/josh/>http://www.realizedsound.net/josh/
"Every composer - at all times and in all
cases - gives his own interpretation of how
modern society is structured: whether
actively or passively, consciously or
unconsciously, he makes choices in this
regard. He may be conservative or he may
subject himself to continual renewal; or he
may strive for a revolutionary, historical
or social palingenesis." - Luigi Nono
*/
******************************************
/* Joshua D. Parmenter
<http://www.realizedsound.net/josh/>http://www.realizedsound.net/josh/
"Every composer - at all times and in all
cases - gives his own interpretation of how
modern society is structured: whether
actively or passively, consciously or
unconsciously, he makes choices in this
regard. He may be conservative or he may
subject himself to continual renewal; or he
may strive for a revolutionary, historical or
social palingenesis." - Luigi Nono
*/
******************************************
/* Joshua D. Parmenter
<http://www.realizedsound.net/josh/>http://www.realizedsound.net/josh/
"Every composer - at all times and in all cases
- gives his own interpretation of how modern
society is structured: whether actively or
passively, consciously or unconsciously, he
makes choices in this regard. He may be
conservative or he may subject himself to
continual renewal; or he may strive for a
revolutionary, historical or social
palingenesis." - Luigi Nono
*/