josh On Dec 6, 2007, at 6:32 PM, kernel wrote:
i was clipping the input to 1.0 - 0.0001. anything larger than that still seems to cause the crash.. quite curious about that. the .kr version seems to be a different beast and clipping the same way didn't seem to work, although i didn't have time to interpret the code properly.On 7 Dec 2007, at 02:00, Josh Parmenter wrote:Will do Josh On Dec 6, 2007, at 5:57 PM, James McCartney wrote:clip, don't wrap.On Dec 6, 2007 5:42 PM, Josh Parmenter <josh@xxxxxxxxxxxxxxxxx> wrote:Hmm... not sure if I would clip the value, or perhaps wrap it? I think a comment in the helpfile makes sense at least. I'll add this in, and if others have ideas about the way it should work, let me know and Iwill commit a fix. best, Josh On Dec 6, 2007, at 5:08 PM, kernel wrote:hi, i've noticed Shaper causes a segmentation fault if the input isequal to or rises above 1.0. eg: ( c = Buffer.alloc(s, 8192, 1, {arg buf; buf.sine1Msg([1])}); {Shaper.ar(c.bufnum,SinOsc.ar(100,0,Line.ar(0,2,5)))}.play; ) admittedly it's common practice to keep the input quite low but maybe we could note this in the help file. I did manage to make a rudimentary fix in the UGen code that clips the input to a value close to 1.0 although it only works for the .ar version. i've not had time to figure out the .kr version. the fix is commented out here: LOOP(inNumSamples, float fin = ZXP(in); // fin = sc_min(fin, 1.0 - 0.0001); // stops seg fault float findex = offset + fin * offset; .. perhaps i'm just fussing anyway. kernel _______________________________________________ Sc-devel mailing list Sc-devel@xxxxxxxxxxxxxxx http://www.create.ucsb.edu/mailman/listinfo/sc-devel****************************************** /* Joshua D. Parmenter http://www.realizedsound.net/josh/ "Every composer – at all times and in all cases – gives his owninterpretation of how modern society is structured: whether actively or passively, consciously or unconsciously, he makes choices in this regard. He may be conservative or he may subject himself to continualrenewal; or he may strive for a revolutionary, historical or social palingenesis." - Luigi Nono */ _______________________________________________ Sc-devel mailing list Sc-devel@xxxxxxxxxxxxxxx http://www.create.ucsb.edu/mailman/listinfo/sc-devel-- --- james mccartney _______________________________________________ Sc-devel mailing list Sc-devel@xxxxxxxxxxxxxxx http://www.create.ucsb.edu/mailman/listinfo/sc-devel****************************************** /* Joshua D. Parmenter http://www.realizedsound.net/josh/“Every composer – at all times and in all cases – gives his own interpretation of how modern society is structured: whether actively or passively, consciously or unconsciously, he makes choices in this regard. He may be conservative or he may subject himself to continual renewal; or he may strive for a revolutionary, historical or social palingenesis." - Luigi Nono*/ _______________________________________________ Sc-devel mailing list Sc-devel@xxxxxxxxxxxxxxx http://www.create.ucsb.edu/mailman/listinfo/sc-devel_______________________________________________ Sc-devel mailing list Sc-devel@xxxxxxxxxxxxxxx http://www.create.ucsb.edu/mailman/listinfo/sc-devel
****************************************** /* Joshua D. Parmenter http://www.realizedsound.net/josh/“Every composer – at all times and in all cases – gives his own interpretation of how modern society is structured: whether actively or passively, consciously or unconsciously, he makes choices in this regard. He may be conservative or he may subject himself to continual renewal; or he may strive for a revolutionary, historical or social palingenesis." - Luigi Nono
*/